Concert review: Slatkin and the St. Louis Symphony Orchestra in outstanding Rachmaninoff, difficult Bernstein
By Sarah Bryan Miller St. Louis Post-Dispatch
Apr 28, 2019
Leonard Slatkin and the St. Louis Symphony Orchestra are celebrating his 50th anniversary with the orchestra with a pair of concerts. For the first of them, he led three pieces: a new work, a standard work with a favorite artist and a rarity.
On Saturday night, Slatkin received an enthusiastic reception when he stepped on stage. He briefly introduced the evening’s repertoire (a very Leonard thing to do), and then launched into it.
First was “Smothered by Sky,” by Loren Loiacono (b. 1989); she was among the young composers commissioned by the Detroit Symphony Orchestra to celebrate Slatkin as he finished his tenure there. The percussion-heavy piece demands a large orchestra and packs a lot into its energetic seven minutes, as dense strings contend with outbursts from the brass; it ends with a soft sizzle on a cymbal. It would repay further hearing.
Leonard Bernstein’s Symphony No. 3, “Kaddish,” was a long time a-borning: commissioned in 1955, it wasn’t completed until 1963, soon after the assassination of John F. Kennedy, to whom it is dedicated. Questioning God and veering between faith and anguish, it prefigures his 1971 “Mass” in many ways, with spiky music occasionally giving way to a limpid tune. First and last performed here in 1965, it is not an easy work to embrace.
The Kaddish is the Jewish prayer for the dead; it does not mention death. Bernstein set its reverent words for a soloist and choirs (adult and children’s) against his own spoken texts: “Your covenant! Your bargain with Man! Tin God! Your bargain is tin! It crumples in my hand! And where is faith now — yours or mine?”
As specified by Bernstein, Slatkin used a female speaker, the excellent Charlotte Blake Alston. Mezzo-soprano Sasha Cooke (in the singer-friendly spot at house right of the podium) brought a big, beautiful voice to her solos. Amy Kaiser’s St. Louis Symphony Chorus and Barbara Berner’s St. Louis Children’s Choirs sang with accuracy and feeling throughout, and the tricky score held no terrors for the orchestra. Slatkin made the best possible case for it.